One of the things I love best about DC is that the vast majority of monuments and museums are free. Wanna see the Declaration of Independence at the Archives? Free. Hang out on top of the Lincoln? Free. Visit any one of the many Smithsonians (including the National Zoo)? ALL. FREE. I didn't realize how spoiled that made me until I got to Paris. Wanna go to the top of the Eiffel Tower? Or the Arc de Triomphe? Wanna see "The Thinker" at the Musee Rodin? Or the Mona Lisa? Or the inside of just about any other museum or touristy attraction in Paris? Pay up, sucka.
Fortunately, there are ways around this. Since I am a student, I can get discounts on my tickets into a lot of things (like the Opera Garnier, which I'll post about in the next couple of days). And since I'm taking an art history class while here at AUP, I get issued a special card by the university that says that I am an "Etudiante en histoire de l'art" (a student of art history). This entitles me to get into any national museum in Paris at any time FOR FREE. The perks of being a history nerd...
I didn't get my card until last week, but my first visit to the Louvre was about a week and a half ago. Luckily, people under 25 get in for free to the Louvre every Friday night from 6pm until the museum closes at 9:45pm, and that's regardless of nationality. (The catch with a lot of places who let under 25s in for free at any time is that you have to be an EU national.)
I met up with a couple of friends there, and we hiked all the way up to the top floor (there are three floors above ground and one and a half underground, which will make sense by the end of this post), deciding to start at the top and work our way down. The top floor is a lot of paintings from Flanders, France, and the Netherlands. Nothing all that famous up here, except for Peter Paul Reubens' MEdici cycle, a collection of over two dozen giant paintings done for Marie di' Medici (wife of King Henry IV of Spain) that occupies its own room.
Nevertheless, I forced myself to limit my picture taking to only those works that really caught my eye, otherwise I'd wind up taking pictures of everything and truly appreciating none of it. Some things of interest while wandering around the top floor:
I really liked this painting because it's unfinished. All of the horses and soldiers in the foreground are just sketched lines. I think it's really quite interesting to see a bit of how the artist planned on painting a scene, because most of the time when I look at a piece of art it just blows my mind to try and imagine how someone could have created it.
These panels are just pretty. And tall. Probably at least twice my height.
Look at the level of detail in this painting...
Now look at how small it is!
The MEdici cycle of paintings I mentioned earlier. I could spend an hour in this room alone.
The view out over the pyramid from the top floor.
I also did a very touristy thing and took a picture of the benches they have here. I just think they're cool!
I then ventured down to the first floor to do some rather rapid wandering for an hour or so. This floor is where a lot of the most famous items in the Louvre reside. Delacroix's Liberty Leading the People, Jacques-Louis David's The Coronation of Napoleon, and, of course, the most famous piece of all:
Now, what I'd always heard about seeing the actual Mona Lisa in person was that a lot of people are disappointed by it. And I can see why they might be. It's not a very big, and is set into its own wall behind glass in the middle of a large room, which draws even more attention to how small it is. It's also got a rope in front of it, preventing people from getting within about ten or fifteen feet of it. I can understand how some may be underwhelmed by it.
But for some reason, I wasn't. The awe of being in the presence of one of the most famous--if not THE most famous--single work of art in the world, to actually see it for real, greatly overshadowed any sense of "That's it? That small little painting?" It was incredible.
My wanderings the rest of the evening yielded a couple more photos, the choicest ones include:
The other very very VERY famous work of art in this museum: the Venus de Milo.
The Winged Victory of Samothrace, which wins the contest for "Most Badass Name for a Work of Art in the Louvre".
The Louvre used to be a palace of the French royal family (before Louis XIV moved the court to Versailles), and signs of that era of elegance and wealth are everywhere, especially in the decorated ceilings.
Athena Pallas of Velletri
One of many, many rooms of ancient sculpture. It was so cool to be wandering around as the sun was setting, so by the time we left around 9:30 or so it was completely dark and all of the statues were lit up.
All the way under the Louvre, on the bottom floor (that does not extend as far to go all the way underneath the long parallel arms of the aboveground part of the Louvre), you can see some of the original foundations of the building known as the "Old Louvre." This was a 12th-century fortress that was destroyed in the mid-1500s to make way for the beginnings of the present palace. It's kind of creepy in parts, actually. And this is a horrible picture, I know, but it's the only one I took at the time and I didn't realize it was so blurry until I uploaded it. So I will take some more the next time I go, promise!
The view underneath the famous pyramid.
The inverted pyramid.